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Monday, March 23, 2015

Through the Lens of a Visionary

Through the Lens of a Visionary: Kiri Laurelle Davis Interview

by Evan Jackson

Is it Justice or Just Us? This is the question proposed not only to me by award winning filmmaker Kiri Luarelle Davis but to everyone at large. Kiri is the creator of the JUST US PROJECT, a multimedia platform addressing social justice issues through media, art, and community outreach. Through the JUST US PROJECT she has released the powerful Our Lives Matter PSA about young black boys being racially profiled. Since Kiri was young she knew she was a filmmaker. She has produced and directed several projects most notably A Girl Like Me, her first documentary which she directed at the age of sixteen, that discusses perception of beauty and colorism as it relates to black girls. Since 2005 A Girl Like Me has reached over 40 million viewers as well as earning many awards, including being screened at the Tribeca Film Festival and worldwide. Kiri reminds me that the essence of being a great filmmaker is being a great storyteller. She tells those untold stories so those who don’t have a voice can be finally heard. Come look through the lens of a visionary to see how she embarked on her journey and to revel in her discoveries as a filmmaker.

What inspired you to become a director?
I think it’s something that’s been in me since I was a little girl, I just didn’t know it was called directing. Originally I wanted to be an actress when I was young, but I rarely saw roles available for girls that looked like me so I came to the conclusion that I would have to write and create my own roles. As a filmmaker, I can create roles for girls like me and for girls all over. I like the idea that as a filmmaker, I can tell the stories important to me. I can tell the stories that aren’t being told and I can tell them through my lens. These kind of stories can touch people’s minds and hearts and that’s a powerful tool to have. That’s something that’s always been really appealing to me because it allows me to address issues that might feel taboo, while pushing people to talk about issues they might otherwise shove under the table. It’s a really special position to be in. 

Ever since I was a little girl I’ve been a storyteller. I would dictate stories to my mom and grandma and draw pictures to go along with them. Now I’ve just grown to use film as a medium to tell stories. I’ve known since I was thirteen that I wanted to be a filmmaker. I was really focused on it. I told my family I wanted to be a filmmaker and became involved with different film programs where I could learn more about the craft. I saved up to buy my own camera and got my friends appear in different film projects. It’s just something that everyone around me knew I took very seriously. I was a total film geek - I had to see every film and I had to know the process behind it. Also when I was younger, I never said I wanted to be a filmmaker I said,  “I am a filmmaker”. I made the career I wanted to have. You don’t have to wait to become something like a filmmaker.  You become a filmmaker by doing and creating.  

What compelled you touch on the subject of the perception of beauty as it relates to black girls for your first film project the 2005 documentary A Girl Like Me?
I really wanted to focus on some of the issues of beauty and the standards of beauty that are imposed, particularly on girls of color because it was what me and my friends were going through and at the time there didn’t seem to be much dialogue around these issues. We were in high school and this was way before Chris Rock came out with his Good Hair film and its way before Tyra Banks did specials on colorism. At the time we weren’t talking about good hair vs. bad hair or the dark skin vs. light skin topics. This was before the film Dark Girls and at the time I couldn’t find anything to directly connect to on this subject matter. And so I started interviewing girls I knew who were going through lots of different things surrounding the pressures of European standards of beauty, what that felt like and the insecurities it created. I really wanted to focus on this subject because I felt it was a topic people kept pushing under the table and not really talking about. It felt like the dirty laundry that no one wanted to address. Therefore it was really powerful to be able to discuss these issues with other young girls at the time and just learn from each other. Many young girls learned they weren’t the only ones going through these issues and problems. Also the girls featured in A Girl Like Me, were my friends, but it was still alarming to me that some of them were dealing with issues involving skin bleaching and all sorts of related things. That’s why it was really an empowering project at the time and I think it was a wake up call for us all. People had even told me not to make a film about this topic, that no one wanted to hear about it and that’s just the way things were. This made me a little nervous about taking on this subject. However, in the end it was really cool to get such amazing feedback and to see people, not even just girls like me, but people from different backgrounds all across the country utilize the film and connect with the film, the girls, and the children in it. We all have standards that are imposed upon us and people from around the world really understood and could relate to this message. Years later I still get emails and other feedback about this project. Even during my freshman year of college, in one of my very first classes they used the film, it was right on my syllabus.    

You said that giving the girls in the documentary A Girl Like Me an opportunity to talk about issues and experiences help look at deeper things in society that affect and shape us. In what ways did the documentary help you?
The documentary helped me in many ways. As a filmmaker the documentary helped me understand the power of film. How it can change perspective and really open people’s minds and create an awareness that wasn’t there before. It helped me find my voice as a filmmaker and deal with issues that I was going through. I also felt like it gave me a new strength and courage. It empowered me because now I was able to communicate through film with so many girls going through similar issues. I think for many it provided a sense of support, knowing ‘Oh, I went through this too’ or ‘This is what I’m going through now’ was great. The documentary made me realize I have the power to change things. Telling our stories has such an impact on the lives of people. I think it was so cool to listen to girls and people from all over the world talk about how it inspired them. How they feel more comfortable with themselves and how it helped them address serious issues they might have ignored. To go sit in the theaters and witness people crying after viewing something I created just brought this whole new understanding of how film can impact people and how it can change things. Even in the schools I filmed in, they changed their policies to create more diversity initiatives. I just saw so many ways people used the film, whether it was a program getting more black dolls for children or providing a platform to discuss the issues in home, schools and community based organizations word-wide.

I think as a filmmaker it’s important to be honest and put it all out there. You can’t preach as a filmmaker; you let people come to their own conclusions by simply showing them how it is. I feel like that’s more powerful than hitting people over the head with things. Like with the children and the doll test, you can tell a person all you want about how things are affecting us or impacting self-image, but until people actually see it with their own eyes, that’s when they really get it. When people saw these young black children 50 years, after the Brown v. Board of Education desegregation case, choosing white dolls as being good and the black dolls as bad, I think that’s when things really registered. That’s when people said ok this is a problem. 

What was the experience like when A Girl Like Me was featured in film festivals worldwide?
It was awesome, as a young filmmaker you rarely know how far your film is going to go. I thought it might screen at a couple of schools or organizations, but to see it reach film festivals world-wide, was a really phenomenal experience. It was fun to go to some of the events and stand side by side with accomplished filmmakers who have been doing it as long as I’ve been alive. It was a good experience to share the stage with them, to have my film screened along with theirs. Also for them to be so supportive and welcoming to me in this industry, I thought was really awesome. It really made me feel accepted as a professional filmmaker. Originally I thought I would get into some youth film festivals. I didn’t know it would be accepted into the main film festival division. Therefore it was really nice to know that the film went so far without even being quote on quote viral originally. I work organically, I don’t push any gimmicks, I just push to showcase the story and let people experience it for themselves. If they connect to the story and understand its message, I feel like I’ve done my job.

What is the most challenging part of being a director? What is the most rewarding part of being a director?
The most challenging part is always trusting your gut. You have to work with a lot of different people and everyone has their own ideas, everyone thinks you should do it this way or that way. Everyone has an opinion, but at the end of the day you have to do what serves the story justice, no matter what that takes. It’s a matter of trusting your gut and following your heart. The other difficult part of being a director is making sure you have the funds to create what you want. As an independent filmmaker, it’s challenging. I’m not backed by a huge studio so sometimes as a director I just have to sacrifice a lot to bring my vision to life and sometimes pay out of pocket if I want to see my project completed.
One the other hand the most rewarding part, well there are two parts. One is when you are finally done and you actually like what you see. So many times you’ll have a vision in your head and you don’t always know if the final product is going to look the way you envisioned it in your head. When you’ve finally created something that looks really similar to what you first dreamed about or the idea you had stuck in your head, it’s extremely gratifying. Especially after you’ve edited all the pieces, after you’ve worked night and day to see it all come together in the final stages and to be satisfied, is an amazing feeling. A part of you is now out there. It’s really scary and thrilling at the same time. The second part is when you finally get to see the people who are watching the project and you get feedback that is hopefully positive and people are moved or inspired by what you created, is a wonderful feeling, along with seeing the impact it has on people. Also for people to say they feel some type of way and that your project might have made a change in their life is an amazing feeling.

How does your work with youth and non-profit organizations influence your work?
Working with youth and non-profit organizations pushes me to want my work to have a purpose. I’m not interested in just creating fluff. I really like that when I’m working with non-profits and children it really shows me how important it is to have a real mission and to create media that can truly be utilized and have an impact. Working with youth is awesome because they tell it like it is. I feel like working with them and listening to them helps me to grow as a filmmaker.  It makes me want to develop more projects that embraces who they are and help to uplift them. Overall with kids, they are just themselves, they don’t put on an act, and they have such honesty about them. I just love interviewing them because it’s refreshing to talk to individuals like that.  

What drove you to create the multimedia series the Just Us Project?
Around the time Trayvon Martin was murdered, I began to interview mainly young black men about what it felt like to be targeted and their responses were extremely thought provoking. I started doing more research. I traveled to different parts of the country. I filmed rallies and marches. I spoke with experts, mothers who lost kids to police brutality and young people of color who were being targeted. Through it all I listened to so many unbelievable stories. It was overwhelming at times. Though I had originally wanted to create a documentary that embodied these themes, I realized I couldn’t fit all these stories and experiences into a singular project. From the murder of Jordan Davis’ to Mike Brown, the body count just kept adding up. I felt that by creating a media series I could focus on different topics, different people and their different stories within a series of unique segments. Some segments are going to be in-depth interviews, some will cover different events and some of them are going to be PSAs like the first one, Our Lives Matter.     

How did the Our Lives Matter PSA come about?
When I was interviewing young men of color about what it felt like to be targeted they talked about how about how running down the street would cause alarm, how they would always have to think about their outfit and if it might make them “look suspicious”. I took those original interviews filmed about two years back and reworked them into a PSA, rewording their statements into questions. I also combined statements I had heard from young boys, regarding their experiences of feeling targeted. I feel like we’re used to those statements being made from men maybe in their 20’s or late teens, but I feel like it has a different effect when you hear it coming from kids. Like when you hear an eight-year-old ask, “Why do you think I’m dangerous?” or “Why do you think I’m suspicious?” or “Why are you targeting me?” I feel like it impacts people in a whole new way. It’s almost like someone hits you in the stomach when these little kids are asking these unfortunate questions. That’s why I released it as a short PSA, so that people if for just two minutes, could walk in their shoes. Before directing the project, I remember asking the question, “how many unarmed youth of color have to be killed, before it’s seen, not as an isolated incident but a national crisis? I made the PSA with that question in mind. I also examined the question, is it Justice or Just Us? This is where the name for the series came from.

Tell us more about your work with photography and your production company Kreative Attractions Media?
I do photography and all types of work through Kreative Attractions Media. I want to continue to work with different mediums. Photography is also something I’m really passionate about which I’ve been doing since I was a little girl. I don’t think a day doesn’t goes by where I don’t take a photograph. I want to continue to grow as an artist, whether that means traveling more, trying new genres I’m not familiar with and just challenging myself in creative ways. Overall I want to expand as a filmmaker. Photography or even painting helps to refine my eye.

What is the boldest thing you’ve ever done?
The boldest thing I’ve ever done most recently was going to Ferguson. Just because I understand the seriousness of the situation I was going into. Many people didn’t understand why I felt the need to go. They told me not to go, that is wasn’t safe. I wanted to go though because I felt I was getting such a distorted view of what was happening from the media.  I felt like I really needed to see it for myself to really understand the reality of what was occurring and the best way to do that was to be right on the frontlines. Going out there was a serious learning experience. You don’t expect to be in America and have a tank roll up on you or to have lines of police march towards you with batons when you’re doing nothing wrong. It was sometimes a really scary situation. I didn’t really know what I was walking into, but I knew I was bringing my camera and going to film and do what I could to help organize, while capturing the truth. There were young people there as young as 7 and 8, who told me what it was like to have rubber bullets flying towards them and having tear gas thrown at them. The injustice I witnessed made me determined to provide an outlet for people to share their stories. I remember while filming I would see mainstream media cameras literally turn their backs on some intense situations and simply not a film. It was just so crazy to me, here you are; you see what’s going on and you’re not even capturing it so that the public can see the truth! Therefore it was extremely important to me that I along with other independent media-makers were out there shining a light on what was really occurring. Therefore I felt obligated to document as much as possible. Already there was so much going on that wasn’t being portrayed accurately in mainstream media. I wanted to expose the unjust treatment of innocent people by those in power. I wanted to capture how peaceful protests were being met with aggression and police brutality. I never thought in a million years in 2015 we would have to face something like this.  

What are your plans for the future?
 I want to continue to build my production company and continue to create films and media projects for the small and big screen. I’ve rebooted Kreative Attractions Media and I feel that in 2015, I’m definitely taking it to the next level and expanding it. I want to use it as a platform not just for myself, but for other young media-makers to build on and help to produce and promote their work as well. I also hope that the Just Us Project series continues for years to come and highlights the many stories that are being ignored. At the end of the day I really want to create a media empire. I don’t want to feel like I have to go to “the studio” to get the backing needed to create my projects. I want to be my own studio at some point. That’s what my dream is; producing, directing, and being an overall filmmaker that can create some powerful pieces. I hope to create media projects that are outside the box. I also want to take new risks and trust my own vision more. I feel like there have been times in the past where I’ve let others influence me too much or moments where I’ve been hesitant about taking the full leap on my own, but I’m at that stage of my life where I just want to be me as an artist. I’m at the point where I have to trust the path I’m on and encourage others to do the same.

Where can people reach you?
You can find the Just Us Project series at My twitter and instagram are @KiriLaurelle and we’re re-launching the Kreative Attractions Media site ( this April. 

Friday, March 20, 2015

A Star is Born

A Star is Born: Denisha Hardeman Interview

by Evan Jackson

Immediately when I met actress and author Denisha Hardeman there was a vibrant spirit to her and she was beaming with happiness. Her passion for acting is evident and she is adamant about others reaching their dreams, especially those who are involved in Domestic Violence like she was. Why was the spirit within her shinning so bright? I had to know. As a native of Houston, Texas Denisha Hardeman has been an acting Phenom since she was a kid with a gift to entertain. She was also a talented track star in high school receiving an academic and track scholarship to Southern Methodist University but that love for acting never left her. Through a tumultuous time in her life she landed a role in Quentin Tarentino’s Django Unchained. From there she’s sky rocketed to write, develop, produce, and star in her own projects as well as creating projects for others. She plans on releasing her first book 8 Lanes, which is loosely based on her life, this summer followed up by a featured film, with the same title. Through that dark period Denisha saw the light and will be a star you are going to see for years to come.

What inspired you to become an actor?
I grew up in the 90’s so I had a lot of great movies that were around like Set It off and Waiting To Exhale. We grew up in a generation where movies were really good and it was a lot of black stars in those movies at that time. Seeing those black women like Nia long, Angela Basset, all those women growing up really made me want to do what they do. I’ve been acting since I was about four at school and church.  As a kid, I was always animated with my speeches, I had moves, I had dances, and the whole nine. In elementary I was in the choir and played the piano. My teacher wanted to start acting at our school so she created a play and made me the star in it when I was seven or eight. In went to a middle school for Performing and Visual Arts. You have to audition at least four times to get into that school. I auditioned once and in the first 30 seconds I was accepted. I went to The High School for The Performing and Visual Arts which BeyoncĂ© attended for a little while. I decided not go I wanted to focus on sports and I knew if I had to make a choice did I really think, as I grew older,  I would be an actress or did I know sports would get me a scholarship , I ran track and played basketball, and I knew. So I took the easier route and went to SMU on a track scholarship. When I was there my acting teacher, for my class Acting Intro 101, really wanted me to change my major to theater. I left school for a little while. And around the time when I got the role in Django, I got signed, and I moved to Los Angeles.

How was your experience on the set of Django Unchained?
That’s probably the best set I’ve ever been on. It was like seeing greatness happen and to be a part of that was great. I got to befriend these people I’ve watched – I’ve watched the Jamie Foxx Show when he first started, I watched Samuel L. Jackson in Do The Right Thing when he had three lines, I watched Quentin Tarentino when he did Reservoir Dogs with no money, and I remember seeing Kerry Washington in Save The Last Dance. For them to just talk to me on set and encourage me to move was amazing. Sometimes you hear about stars being mean but they were the total opposite. They were fun, down to earth, and they were really great. When I was called to audition, I didn’t know what the movie was, Quentin Tarentino is very secretive about his projects, and all I knew was that I had to get to New Orleans to do a fitting. I was in school and I was babysitting and I remembered saying I can’t take off, I don’t know what movie this is and I had been dodging my agent. My agent had a talk with me and told me that I was great and they loved me, but I can’t keep not going to stuff, telling me either you want to act or you don’t. I sucked it up, I went, and it became greatness. See how God works?

What encouraging words of advice have you gotten about life as an actor?
Do it yourself and never allow anyone to give you anything because if they give it to you they can take it away. So Hollywood is very fickle, it’s very hard, and very gritty. There are shortcuts, but sometimes those shortcuts aren’t the right shortcut. I would rather write my own movies produce my own movies, and do my own things, then somebody give it to me and have to do what they say. If I don’t do what they say then I get fired and to possibly get blackballed. When they blackball you , you pretty much can’t get work, it takes one person to say ‘don’t work with her’. I thought why put myself in that position when I can just write my own movies and make inspiring movies that I know people want to see.  One of the biggest pieces of advice I’ve gotten is don’t let anybody tell you no. Find a way for them to say yes. If you go to an audition and they say no, go to the next one, keep going. I can write as well, so that makes me a little ahead of the game. If someone tells me no I will just write a movie, produce it, put it in theaters, put it on Netflix, put it on RedBox, and then now I have a fan base and now you will want to work with me.    

You’ve acted in dramas, comedies, and horror films. Which roles do you feel naturally drawn towards?
I love thrillers, I love having people at the edge of their seat wondering what’s going to happen next. I think that’s my niche, those challenging thriller type roles. Those psychological thrillers are my favorite; I took psychology, so those types of roles that mess with somebody’s mind makes it very intriguing.

What drew you to writing?
When I was little I was very great at creative writing. I wrote poetry, I wrote a poem book when I was nine. All throughout school I would write crazy stories that my teacher would be amazed by. When I was eleven, I wrote a psychological thriller for a paper and my teacher called my mom and asked, “Is something wrong With Denisha?”. And my mom said “No, why?”, my teacher said “Because she wrote one of the best papers I’ve ever read and it scared me because she’s only eleven.” I still have that paper to this day. I call it the Silent Killer; I plan on developing it into a full length movie. I always was a great writer. When everyone was reading babysitter’s club while I was reading John Grisham books. I read To Kill a Mocking Bird when I was six. My favorite book is Roll of Thunder, Hear My Cry. When I went to college I minored in English. It’s a nice way to cope with life getting your words out on paper. That’s why I love writing a script, it’s very comforting. You can write anything you want, it’s very liberating. With writing, I get an idea out of nowhere, I write everything out on paper first, and then I’ll write an outline. I listen to music outside, get all my ideas out, do research, and after my outline is finished I develop that character that I like most. I’ll wake up about 4 In the Morning when everyone is quiet and the world is sleeping and let all my ideas out and write it down.

What compelled you to tap into the topics of your own life for the film 8 Lanes?
The story I’m trying to tell is very relevant. Domestic violence is increasing and I just want to share my story. I know a lot of people who have been through what I’ve been through and they completely shut out and give up on the world. I just had a friend whose sister committed suicide and I know how that feels but I want these people to know there is still life. Just because you went through that you’re not done. That’s why I had to realize I’m not done, that’s why I’m in LA and this why I’m doing what I’m doing. If I would have let that keep me down I would have killed myself, I would have been over. Which I did attempt, my cousin saved my life, that was God’s way of saying no ‘I didn't tell you, you were done. I did this for a reason’. I feel like it’s becoming normal for a woman to be raped or beaten. I’ll be talking to women and they’ll say ‘Oh yeah, I was raped’ and then they would just move on to the next subject rather than talking about it. You know, because it affects you even if you don’t talk about it. It has affected many of my relationships, I go in saying “Oh you’re going to hit me, you’re going to cheat on me so what are we doing?”. That’s not giving anyone a chance to date me. It can make you crazy, vicious, and paranoid. That’s not the way you want to live. I want women and men, who have ever been through what I’ve been through to know that it’s ok to leave and it’s ok to talk about it. You need to talk to somebody about it, it’s ok to live your life without that stuff because some people get so trapped in it that they think it’s normal. I know a lot of girls that their boyfriend just hits them and they think it’s normal. They know that it’s coming, like “Oh, I know he’s going to beat my ass today”. That’s not ok and that was me. Thinking were probably going to get in a fight today, he’s probably going to hit me. When is that ok? When has that become ok? It’s never ok. He wasn’t the violent one; I was very violent as well, so those are lessons learned. In a relationship if it’s that toxic it’s ok to leave. I really want people to find other ways to cope besides alcohol and drugs. I became heavily involved in drinking and it became really bad. I have a little sister and little cousins and I would never want them to keep something like that from my mom and my family and walk in the house and they’re dead and something could have been done about it. I think the suicide rate has increased by 18% in the last five years, that’s crazy and that’s too much. I think Domestic Violence has increased as well. I actually didn’t want to write this, I didn’t want to bring attention to me or make it seem I was seeking attention. It happened four or five years ago, it’s not old but it’s not new. I didn’t want people to think I’m doing it for attention, it’s not. People were like no you’re going to help somebody and that’s my goal, If someone comes to me and says I’ve been through this can you help me.  

You touch on subject matter of your life that is dark, how difficult will it be to mentally relive those scenarios as you act it out?
 We haven’t started filming yet, but that is a concern for my producers. They are a little nervous about me. I’m not bitter about the situation, it can’t upset me. There will be emotions, when I was writing the book there were times I had to stop. Certain parts aren’t as detailed as they could have been that is why I had to get an editor because I couldn’t write it out myself. I think I’ll be fine and it needs to be done. We shall see in November when we start filming how that goes. I’m close to the producer and director and they are taking all precautions, they’ll have a therapist on set. I did have to act it out in the promo for the movie and I did great. It got emotional, but I was fine. I haven’t had the rape scene yet, which I’m not looking forward to. Nobody else is going to be in there except for the director, the actor, and the cinematographer. We will film that first and get it out the way.

Which lessons do you want the audience to take away from 8 Lanes when they see this film?
Violence goes both ways. I don’t want to make it seem as if he wasn’t the only one doing it, I was doing it too, and we hit each other. I stopped and he had extended the violence and almost killed me. Learn to leave and you need to love yourself first because the only women who don’t love themselves only allow themselves to stay in situations like that. I want men to know women can get a little crazy but you’re always going to be stronger, you’re always going to be bigger, you’re always going to be faster than any woman. It’s ok for you to leave and not put your hands on a woman. And women you can’t be going around hitting men.  Nobody should put their hands on anybody. There is light in the darkness and you just have to find it. I’m a genuinely happy person; I didn’t want to be sad forever.  It’s ok to tell somebody, it’s ok to let someone know, and you don’t have to feel embarrassed.

Tell us more about the charity Un-Hushed that you are about to start?
We’re just getting started is about finding what helps you cope. If you want to be a model and that helps you cope, taking photos then do it. If you want to be a writer and that helps you cope, writing a book will help, and then do it. If it’s playing basketball, cooking, or anything you love to do this charity is here to help you with it. If you’re in a relationship and being abused, being bullied, or damn near suicide get help and let’s find solutions for what you’re going through. Let’s figure this out together. Mine was I need to move to LA and follow my dreams.  I really want to help people follow their dreams. I love children so I know a lot of kids that see violence and they become violent themselves. I want to tell them ahead of time that, it’s not ok and let’s figure out other ways to release that anger. For me that was running track. The first event we’re looking to do is a marathon called “Run and Tell”. So you’re running and telling your story. I’m very excited about that. Let’s figure out what were your dreams and help you with that. That’s what my charity is about, for people that went through hell to help them find heaven in a way.

You’ve also ventured into writing books. How did it feel to write your first novel?
The book should come out in the summer and on every platform. It still hasn’t hit me yet. It’s still a blur. Everyone else gets excited, but when I get the book physically in my hand, that’s when I’ll freak out. It’s amazing, it’s crazy, and I feel blessed.

What is your Dream role?
To play Flo Jo. I think to play Flo Jo you have track, you have drama, you have rumors, you have questions. I would love to play her; I would love for someone to make a movie about her.  I ran track, that’s my thing, it would be great to play her. Or even Marion Jones.

What is the boldest thing you’ve ever done?
The boldest thing I’ve done yet was on the set of Django going up to Quientin Tarentino. Who the heck does that? I wasn’t going to leave that set before I met him.

What are your future plans?
My book will be released this summer along with the soundtrack and I plan on doing a high school tour speaking to young ladies. My movie 8 Lanes, we are going to get all the funding so we can start shooting in October/November and have it out by next year. I just got a deal with this guy who wants to do horror films. I wrote my first horror film, he wants to do two to five horror films every three months. Horror is my favorite genre to write about.  Just wrote an all-girl action film, so excited about that. I plan on filming that this summer as well and have that ready for Sundance and the American Film Festival. I have another movie that is romance. My friend has a production company and he wants me to write a story about how two people fell in love on set. A lot of people are coming to me wanting to write and produce, as well as being a part of their films. In the next two to three years I want to be known for my work.  I want to be known by everybody so that my charity can do well. If you’re known on a certain level people are more willing to help you. I want to show people what I can do and then I can help other people. In ten years I want to be on Halle Berry’s level or Jada Pinkett’s level where they are helping so many people writing and producing projects.  

Where can people reach you?
People can reach me on Instagram/Twitter: @Crazydede09
And my website should be up soon.

Feel Young, Be Bold, Live Regal

Feel Young, Be Bold, Live Regal